Beschreibung
Roy Nathanson has had a varied career as a saxophonist, composer, band leader, actor, poet and teacher. His career began in the mid 70’s playing with R&B; luminaries like Shirley Alston of the Shirelles, to Charles Earland’s band, to the Lounge Lizards, to the Jazz Passengers, which he co-founded with Curtis Fowlkes in 1987. The Passengers have made eight CDs and have done extensive touring over the years. Their most recent project was an original soundtrack soundtrack (score and dialogue) for the 1954 classic 3D film “Creature From the Black Lagoon” and “The Rock Concert” an examination of deep time for which Roy received a commission from The University of Wisconsin. Mr. Nathanson has been the principle composer of the band and has written songs for Elvis Costello, Jeff Buckley, Deborah Harry, Jimmy Scott, and many others in that capacity. In recent years, Roy has collaborated with Bill Ware on several film scores including “Raising Victor Vargas”. He has released several CDs of duo works with keyboardist Anthony Coleman. Roy’s work combining music and text has appeared on “The Next Big Thing” on PRI. His first text/music CD, “Sotto Voce” was released in spring 2006 on AUM Fidelity Records. His second “Sotto Voce” CD is Subway Moon on Enja/YellowBird Records and was a product of a grant from Chamber Music America. His first book of poetry “Subway Moon” will be released at the same time from “Buddy’s Knife Editions’ of Cologne. Roy has been a recipient of several Meet the Composer Grants, two NYFA composing fellowships and a Bessie and Joseph Jefferson Award.
Subway Moon is the brand new concept from the extraordinarily gifted mind of saxophonist, composer, and songwriter Roy Nathanson. Members of his new ensemble Sotto Voce team up with guests from his longtime Jazz Passengers to inhabit internal monologues about the New York subway, bringing a remarkable multilayered underground world to life.
The CD gleans material from Roy’s new poetry book of the same name, published by Buddy’s Knife Editions. Spoken word sections drift over Roy’s signature meter-changing grooves as the instrumentation dances through the landscape of image and memory—Curtis Fowlkes’ boisterous horn, Bill Ware’s shimmering vibes, Sam Bardfeld’s swinging violin, and the bases of Brad Jones & Tim Kiah. Consistent with the language of Roy’s first Sotto Voce release (AUM Fidelity, 2006) Napolean Maddox’s brilliant beatbox vocals morph out of the spoken word sections and allow the instruments to be part of a continuous storytelling voice.
After a series of personal journeys through tragedy and transformation, Roy moved back to the Brooklyn neighborhood where he was born, into an old house right above the subway tracks. Teaching music at a New York school, he wrote all of these stories amid the crush of working people going into Manhattan. And, thanks to producer Hugo Dwyer’s wonderful samples, actual sounds of the subway serve as a background for Roy’s reflections and observations about people, place, and the passage of time.
Beginning with a heartbreaking, minimalist rendition of the Gamble & Hill classic “Love Train,” Subway Moon takes listeners on wild ride through Bush-era Orange Alerts, past the “Why are you killing me?” chant of a man dressed in a blue plastic bag, and into a proto-disco lament about a failed subway romance. Part audio-film, part radio-play, part jazz-song-cycle originally commissioned by Chamber Music America, Subway Moon treads some very new ground.Roy Nathanson has had a varied career as a saxophonist, composer, band leader, actor, poet and teacher. His career began in the mid 70’s playing with R&B; luminaries like Shirley Alston of the Shirelles, to Charles Earland’s band, to the Lounge Lizards, to the Jazz Passengers, which he co-founded with Curtis Fowlkes in 1987. The Passengers have made eight CDs and have done extensive touring over the years. Their most recent project was an original soundtrack soundtrack (score and dialogue) for the 1954 classic 3D film “Creature From the Black Lagoon” and “The Rock Concert” an examination of deep time for which Roy received a commission from The University of Wisconsin. Mr. Nathanson has been the principle composer of the band and has written songs for Elvis Costello, Jeff Buckley, Deborah Harry, Jimmy Scott, and many others in that capacity. In recent years, Roy has collaborated with Bill Ware on several film scores including “Raising Victor Vargas”. He has released several CDs of duo works with keyboardist Anthony Coleman. Roy’s work combining music and text has appeared on “The Next Big Thing” on PRI. His first text/music CD, “Sotto Voce” was released in spring 2006 on AUM Fidelity Records. His second “Sotto Voce” CD is Subway Moon on Enja/YellowBird Records and was a product of a grant from Chamber Music America. His first book of poetry “Subway Moon” will be released at the same time from “Buddy’s Knife Editions’ of Cologne. Roy has been a recipient of several Meet the Composer Grants, two NYFA composing fellowships and a Bessie and Joseph Jefferson Award.
Subway Moon is the brand new concept from the extraordinarily gifted mind of saxophonist, composer, and songwriter Roy Nathanson. Members of his new ensemble Sotto Voce team up with guests from his longtime Jazz Passengers to inhabit internal monologues about the New York subway, bringing a remarkable multilayered underground world to life.
The CD gleans material from Roy’s new poetry book of the same name, published by Buddy’s Knife Editions. Spoken word sections drift over Roy’s signature meter-changing grooves as the instrumentation dances through the landscape of image and memory—Curtis Fowlkes’ boisterous horn, Bill Ware’s shimmering vibes, Sam Bardfeld’s swinging violin, and the bases of Brad Jones & Tim Kiah. Consistent with the language of Roy’s first Sotto Voce release (AUM Fidelity, 2006) Napolean Maddox’s brilliant beatbox vocals morph out of the spoken word sections and allow the instruments to be part of a continuous storytelling voice.
After a series of personal journeys through tragedy and transformation, Roy moved back to the Brooklyn neighborhood where he was born, into an old house right above the subway tracks. Teaching music at a New York school, he wrote all of these stories amid the crush of working people going into Manhattan. And, thanks to producer Hugo Dwyer’s wonderful samples, actual sounds of the subway serve as a background for Roy’s reflections and observations about people, place, and the passage of time.
Beginning with a heartbreaking, minimalist rendition of the Gamble & Hill classic “Love Train,” Subway Moon takes listeners on wild ride through Bush-era Orange Alerts, past the “Why are you killing me?” chant of a man dressed in a blue plastic bag, and into a proto-disco lament about a failed subway romance. Part audio-film, part radio-play, part jazz-song-cycle originally commissioned by Chamber Music America, Subway Moon treads some very new ground.
