Beschreibung
»No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett »No better place to observe the differences and likenesses of Billie and Abbey than on Lincoln’s less-eerie „Don’t Explain“ or her lovely version of „For All We Know“. It’s the best kind of tribute: she takes the material and respectfully makes it her own.«
John Corbett
